Veuve Clicquot Opens Hôtel du Marc to the public this weekend only

Hôtel du Marc, Veuve Clicquot Ponsardin’s private mansion in Reims, France is opened to the public this weekend only: Saturday, June 15 and Sunday, June 16. Usually serving as private lodgings for invited guests of Veuve Clicquot, the 173-year-old neoclassical abode will open its doors for a series of exclusive tours as part of Les Journées Particulières, the LVMH Group’s heritage celebration.
Constructed in 1840 under the supervision of Édouard Werlé, successor to “The Grand Dame of Champagne” Madame Clicquot, Hôtel du Marc has served as a home away from home for guests of the brand—who come from all over the world for invite-only tastings—for almost two centuries.

After a four-year renovation by renowned Architect Bruno Moinard (known for his work with Cartier, and the auction rooms at Christie’s New York) to its original grandeur, Hôtel du Marc reopened in the fall of 2011.

Each room is designed with its own theme and backstory, for instance, the Uzès Room is named after Duchesse d’Uzés, Madame Clicquot’s granddaughter and pays tribute to Veuve Clicquot’s longstanding relationship with Italy, which goes back to 1772, the year of the brand’s founding when the first 60 bottles of Champagne were sent to Venice.

Louis Bohne, a Veuve Clicquot salesman who singlehandedly helped to turn Russia into one of the world’s thirstiest champagne consumers during the French invasion of 1812, also has a room named in his honor. The faux fur headboard is meant to symbolize protection from the harsh Russian winters, which are seen in the block of crystal that forms the bench at the foot of the bed.

There is innovative artwork abound, with commissioned pieces from celebrated artists as Pablo Reinoso, whose spaghetti bench occupies the second floor landing – my favorite!

One of the house’s most enviable features is, of course, its private wine cellar—home to thousands of bottles and several vintages of Veuve Clicquot La Grande Dame, one of the brand’s rarest blends.

Throughout the mansion, there are lots of fun and unexpected twists. In the library, there’s a stuffed ostrich named Nicole — named after Madame Clicquot.

Will France’s Champagne vineyards be added to UNESCO’s prestigious World Heritage List?

 

The candidacy has been six years in the making and producers will have to wait until July 2014 to hear the decision.

 

The volume of fake champagne sold on the market is said to equal the stock of the real French product. That’s 330 million bottles, according to Jean-Luc Barbier, the director of the Interprofessional Committee of Champagne Wine (CIVC).

 

The competition is particularly unfair since fake bubbly is produced without respecting any of the traditional local rules of Champagne. Fakes rarely cost more than seven Euros, while an authentic Champagne bottle costs between 18 and 200 Euros, and more for exceptional vintages.

 

Champagne is not the first wine-producing region seeking the protection of the UNESCO classification. Five sites are already registered in the World Heritage List: Saint-Emilion, France, the Upper Douro Valley, Portugal, Tokaj Coast, Hungary, Lavaux, Switzerland and Pico Island, Azores.

A Photo Essay Capturing Richard Geoffroy’s (le chef de cave de Dom Pérignon) Natural Character

Written and Photographed by Liz Palmer

This photo essay is a collection of images of my interview with Richard Geoffrey, Chef de Cave, Dom Pérignon, capturing his expressions and movements.

Outside on the grounds of the Abbey

I met Richard Geoffroy at the Abbey of Hautvillers, the celestial home of Champagne, where in the 17th century the Benedictine monk Dom Pierre Pérignon conducted research and experiments on the wines of Champagne.


Richard Geoffroy has been the head winemaker for over 20 years of Moët & Chandon’s Cuvée Dom Pérignon, and shows no signs of slowing down. He greets me with a warm smile, quite personable and relaxed.

Tasting

The scientist at work: focused, attention to detail and perfection – wines often mirror their maker. I was absolutely thrilled to taste with one of the world’s premier Champagne artists. I paced myself in elegant moderation.

Richard Geoffroy’s comments:

“A seamless, silky texture is what I’m looking for – I am not looking for weight or power.”

“Dom Pérignon must be vibrant and long.”

“Dom Pérignon is all about pleasure and joy!” Richard Geoffroy

“Perfectly Balanced!” Liz Palmer

@Champagnehouses

Champagne Bar Launch: “Bubble in Paris” at Hilton Arc de Triomphe exclusive with Taittinger Champagne

Hilton Arc de Triomphe Paris has partnered with Taittinger Champagne to create “Bubble in Paris” a Champagne bar that resembles a life-size snow globe – what fun!

The translucent bar was designed by Jean-Hugues de Chatillon, who drew inspiration from the mythical realm of Narnia, to bottle a miniature winter wonderland.

The 16-foot tall dome will house an all-white, central, circular bar, a lounge that can accommodate 35, and is open now through New Year’s Eve.

WHAT TO ORDER: the signature special €25 for a glass of Taittinger Champagne.

Liz Palmer
@champagnehouses

French Wine and Champagne Exports to U.S. Grew Significantly in 2010

When it comes to the preferences of American wine drinkers, the proof is in the wine glass: from 2009 to 2010, total volume of French wine exports to the U.S. went up +6.4% to 10.5 million cases and wine value increased by +15.6%, with sparkling wines leading the pack. Champagne, in particular, experienced explosive growth with volume increasing by +51.3% and value by +58.6%. The numbers illustrate that on- and off-premise consumers are spending more per bottle on French wines than they did in 2009. While the economy continues to recover, American wine drinkers have shown that because of the quality, tradition, diversity and value that French wines offer, they are confident to put their money where their wine glasses are, whether it’s for a celebration or everyday enjoyment.

Champagne’s top performance indicates that consumers no longer only look to sparkling wine to celebrate a special occasion, but are now purchasing it on a more regular basis due to Champagne’s high quality, versatility with food and the craftsmanship of its producers. Other sparkling wines from outside of the Champagne region grew +7.3% in volume and +18% in value. As a whole, the total sparkling wine category went up +32.5% in volume and +54.3% in value, attesting to the fact that, in 2010, consumers were trading up across the board in this category.

In the still wine category, AOP (previously known as AOC) wine exports were up overall with the Loire Valley leading the way with an increase of 40% in volume and 34.7% in value; the Languedoc made huge strides in 2010, increasing by 29.4% in volume and 39.4% in value; and both Burgundy’s and the Côtes du Rhône’s value percentages increased, exceeding their volume, showing that consumers are keen to spend more money per bottle on wines from these particular AOP regions.

IGP wines, or Vins de Pays, experienced a decline in volume of -15%, but a +10% increase in value which indicates that while consumers are buying fewer wines from this category, the wines they are purchasing cost more per bottle. Wines with no geographical denomination, previously known as Vins de Table, have continued to decline with a loss of -6% in volume and -0.11% in value, proving that, in general, Americans are now preferring wines from the other two categories.

Sopexa