Jameson enters flavored spirits market with “Cold Brew” coffee-infused Whiskey

Earlier this week Jameson unveiled Jameson Cold Brew, an Irish Whiskey infused with natural cold brew coffee.

“By combining the smooth taste of triple-distilled Jameson and the richness of natural cold brew coffee flavor into one bottle, Jameson Cold Brew celebrates a passion for whiskey and coffee,” explains Matt Foley, Jameson brand director at Pernod Ricard USA. “When we started researching our next innovation, we didn’t need to go far, as it had been under our nose all along.”

As the Jameson community has a passion for Irish Whiskey and craft coffee, the brand says it listened to what Jameson fans had been requesting for years. The result is Jameson Cold Brew.

“The spirits category is constantly evolving, with consumers seeking new tastes and ways to enjoy a drink,” adds Foley. “Jameson Cold Brew is a delicious option for any occasion from brunch to happy hour. Enjoy Jameson Cold Brew chilled, on the rocks, mixed with cola, or in a cocktail. My personal favorite is on the rocks.”

Tasting Notes:
Jameson Cold Brew has a nose of coffee bean combined with the vanilla nuttiness of Irish whiskey, the company says. On the palate, you’ll find coffee and charred wood from the pot still, plus notes of toasted oak and dark chocolate.

Jameson Cold Brew is 60 proof, 30% ABV. It retails for a suggested price of $24.99 per 750-ml. bottle.

Website – for further details: https://www.jamesonwhiskey.com/en-CA/

Wine in a Can.  I’m a Fan!

What’s wrong with selling wine in a can?  It was not too long ago when traditionalists thought screw caps on wine bottles were a total outrage to an industry cloaked in tradition. And look at us now; twisting that screw cap with glee and patting ourselves on the back that the screw cap invention protected the cork trees.

Wine in a can is no gimmick. It began in about 2004 with Francis Ford Coppola Winery producing “Sofia”, a blanc de blanc sparkling wine in a can.  It has been growing steadily since then and canned wine was a $50 million business in the US last year. It seems to be falling somewhere between the box wine of student days and elegant, gifting wine in bottles.  We accepted beer in a can, followed by other premium beverages in a can like cocktails, sake, and craft beer, what’s stopping us from embracing the wine in a can trend?

So why is this new format drawing so many consumers?  Firstly, it is mainly the millennial generation that is attracted to wine in a can.  This grouping of people is usually drawn to products of convenience, accessibility, approachability, especially when purchasing wine.

Canned wine ticks all those boxes and so many more:

  • Ease of use: simple to take anywhere, takes up little space, is practically a single-serve unit, no mess
  • Environmentally friendly: the product has a lower carbon footprint because of transporting its reduced weight as well as space efficiency. Aluminum cans are also far easier to recycle than glass
  • Faster chilling: making this product practically instant
  • Adaptability: canned wine can be used in places where glass is normally banned like in parks and swimming pools
  • Price: due to reduced costs of packaging and transport

It is now a question of premiumization.  Consumers, especially the millennials do not want lower quality products, in any format.  The challenge is to prove that canned wine can exceed the consumer’s expectations and deliver a quality wine, regardless of its format.  One way is to encourage the consumer to drink the wine out of a glass and not from the tin.  There is still the old myth: “won’t it taste like metal?”.

Age ability is the other difference.  Wine in a can is meant for immediate consumption.  There are currently no trials or stats to see what the aging process in a can might be, so for now, the wine in your cellar will remain in a bottle, but the wine in your picnic hamper may well be in a can.

Stel + Mar sent us some samples of their wine in a can. The Stel + Mar strap line is “premium wine in a can” and I was not disappointed.

The Premium White is a 250ml Californian Chardonnay at 14.5% alcohol.  It is quite delightful.  I tasted it, enjoyed it thoroughly and poured the rest of the can into my glass to enjoy as I wrote this piece.

Tasting Notes: Aromas of fresh nectarine, lemongrass and a refreshing honeysuckle note make it a very appealing everyday tipple.

The Premium Red is a Californian Zinfandel and has classic varietal typicity.

Tasting Notes: Blackberries and rose petals with dark cherries and cinnamon.  It’s heavy enough to satisfy but light enough to glug.

I am a fan of wine in a can.  It’s a growing business and is to be ignored at your peril.

Stel + Mar Website:  https://stelandmar.com/

Jenny Ratcliffe-Wright Cape Wine Master

Champagne Beau Joie announces a new partnership with fashion brand Marchesa

Champagne Beau Joie states this week that the partnership includes the release of 1,000 limited-edition “couture bottles”. The bottles, which are the first in the ‘Marchesa for Beau Joie’ series, will be hand-beaded and embroidered. They carry a price of US $599 per bottle.

The series will also include several new products that will be available through luxury retailers, hotels and high-end resorts, as well as through their website.

The bottles will be designed by Georgina Chapman, the creative director and co-founder of Marchesa, in collaboration with Brandis Deitelbaum, the founder of Beau Joie.

“Georgina and I were asking each other why there isn’t a Champagne brand that’s an extension of a fashion house, something for everyday occasions or served at special events. It’s such a natural fit, fashion and Champagne, yet nobody else has done this,” said Deitelbaum. “We both agreed there was a tremendous opportunity here for such a product, and so we decided to create it.”

Champagne Beau Joie website:

http://www.beaujoiechampagne.com/

Glenfiddich Announces Canadian Artists in Residence Program for 2020

Glenfiddich celebrates 15 years of supporting Canadian art with the launch of its annual “Glenfiddich Artist in Residence Program” This program awards one artist a three-month residency in Dufftown, Scotland.

The award includes three-months income, travel costs, all-inclusive accommodations, materials and the opportunity to collaborate with globally celebrated artists.

“The Glenfiddich Artist in Residency program is dedicated to supporting and showcasing the extraordinary talent of Canadian artists on a global scale,” comments Rupy Singh, Senior National Brand Manager for Glenfiddich in Canada. “We are delighted to continue our support of the Canadian art community for the fifteenth year.”

Taking place for a consecutive three-months between May 1 and October 2020, the award provides the selected artist a monthly income of approximately $2,400 CAD per month, travel costs (with a set maximum), a materials allowance of approximately $9,850 CAD and a small, Scottish farmhouse and studio space on the Glenfiddich Distillery grounds in Scotland.

The selected artist is encouraged to use their time to create work that is directly influenced by the distillery and its surrounding environment, whether that be through the family history of Glenfiddich, the people and processes at the distillery, or some of the materials involved in the whisky distilling process, including copper, steam, water, malt, or barrels. The prize is valued at $20,000 CAD.

“The Glenfiddich Artist in Residence program encourages Canadian artists of all mediums to apply, and has historically hosted painters, sculptors, filmmakers, illustrators, animators, photographers, and performance artists,” comments Beth Havers, National Brand Ambassador for Glenfiddich in Canada.

Open to artists who live and work in Canada, the five-part application process requires artists to outline how they would like to use their residency, what kind of work they envision creating, and how they will draw inspiration from the distillery environment.

Applicants are to outline the exploratory prospects of their work, whether that includes the accumulation of family heritage, the community of craftsmen who have been employed at the distillery for decades, the materials employed by craftsmen, or the artist’s wider personal development that will come over the inspiring three-month residency.

Criteria for submission includes a short project proposal, a current CV, a short artist statement, 5 to 15 images (or a three-minute video highlighting their artistic practice), a required questionnaire supplied by Glenfiddich, and applicants must be of legal drinking age in their province of residence.

Completed applications must be received by midnight eastern standard time on January 31, 2020.

Candidates will be selected by a jury of eight prominent artists in the Canadian art community and the winner will be notified on February 28, 2020.

For more information about the program, please visit:

https://www.glenfiddich.com/ca/explore/artists-in-residence-canada/

The South African wine industry commits to sustainability

South African wines are known globally for many things: wide range of styles; diversity of climate and geography; unique varietals; transition between the old and the new world.  But not many people know the Cape Winelands are located in the Cape Floral Kingdom, a world heritage site, one of six plant kingdoms in the world, with more than 9500 plant species. This piece of natural significance, located on the most southern point of the African continent, in the area surrounding Cape Town is where 70% of the plant species found cannot be found anywhere else on earth.

With this unique biodiversity, preserving the natural heritage of the land has become a focus for the South African wine producers. With the boom in the export market, the area being planted to vines in South Africa in on the increase.  Farmers are identifying what is unique and rare on their farms and finding ways to preserve the natural fynbos and renosterveld (translated as rhino fields); local names for the indigenous vegetation, and to minimize further loss of the threatened natural habitat as their plantings increase.

The South African wine industry supports conservation, and special biodiversity guidelines have been written. A program in sustainable farming was initiated called the Integrated production of Wine (IPW).  It became compulsory for farmers in 1998 and it concentrates on every stage in the wine production process.  Environmental impact studies, soil preparation, use of recyclable packaging, as well as botanical audits to preserve endangered or sensitive species, and using indigenous plants as cover crops.  Farmers also are required to set aside undeveloped land on their farms to preserve the natural ecosystems.

South African wine bodies are working together to drive the industry’s commitment to sustainable, eco-friendly production of wine.  The Wine and Spirit board seal on the bottle guarantees this and has a unique seal number which can be verified online (www.sawis.co.za)

Consumers can now know that South African wine is the real deal when it comes to sustainability and not just a form of green rubber stamping to appease wine drinkers.  With that in mind, it is worth exploring the wonderful treasures that this little slice of Africa has to offer.  A recent tasting revealed some delightful wines, all found in the main section of the LCBO, hence, they are easy drinking value wines, and all on promotion for the month of January:

Vinologist Sauvignon Blanc $12.95 (currently $10.95) https://www.vinologist.co.za

  • Fresh, zingy, passionfruit and grapefruit notes

Fleur du Cap Chardonnay $12.95 (currently $10.95) https://www.fleurducap.co.za/wines/

  • Lovely lemon tones, no real sign of oakiness, just the softness and complexity of oak barrels

The Grinder Pinotage  $14.00  (currently selling for $12.00) https://www.grapegrinder.com/grinder-pinotage

  • A great expression of the South African Pinotage grape, loads of blackberry and plum fruit and coffee toastiness from the oak

Porcupine Ridge Syrah $15.95 (currently $12.95) https://www.boekenhoutskloof.co.za/porcupine-ridge/

  • A great value Syrah with notes of black pepper and black cherry

Jenny Ratcliffe-Wright
Cape Wine Master